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- Act 4 Scene 1
-
- The lovers sleep in the background, whilst Bottom
- jokes with TitaniaÆs fairy attendants. Eventually he
- and Titania also fall asleep, and Oberon has an
- opportunity to take the spell off TitaniaÆs eyes. The
- fairy characters then leave the human beings, who
- are woken by the dukeÆs hunting party. The four
- lovers have difficulty in remembering what has
- happened. When they have all left the wood to
- return to Athens, Bottom wakes up and tries to
- recall the dream he has enjoyed.
- 2 amiable: loveable.
- coy: pet.
- 13 fret: trouble.
- 15 be loath: hate.
- 16 overflown: swamped.
- 19 neaf: hand.
- 20 leave your curtsy: stop bowing to me.
- 21 whatÆs your will: what would you like ?
- 22 Cavaliery: BottomÆs attempt at the Italian
- ôcavaliereö (=English ôcavalierö).
- 24 marvellous: unusually.
- 25 ass: fool (with obvious irony).
- 29 the tongs and the bones: crude musical
- instruments; tongs were struck with a metal key
- (rather like the modern triangle), and bones, were
- held between the fingers and rattled.
- 31 peck: bundle (literally, a quarter of a
- bushel).
- provender: fodder.
- 32 bottle: truss, small bundle.
- 33 fellow: equal.
- 37 stir: disturb.
- 38 exposition: Bottom means ôdispositionö
- (=desire).
- 39 wind: wrap.
- 40 all ways: in all directions.
- 41 woodbine: bindweed or convolvulus.
- 42 ivy: the ivy is said to be female because it
- clings to, and is supported by, the elm tree.
- 43 barky fingers: branches covered with
- bark.
- 46 dotage: obsession.
- 47 of late: recently.
- 48 favours: gifts of flowers.
- 49 upbraid: reproach.
- 50 rounded: encircled.
- 52 sometime: formerly.
- 53 orient: lustrous.
- 54 flowÆrets: little flowers.
- 57 mild terms: gentle language.
- 58 ask of her: ask her to give me.
- 59 straight: immediately.
- 65 other: others.
- 66 repair: return.
- 67 accidents: happenings.
- 68 fierce: extravagant.
- 70 wont: accustomed.
- 72 DianÆs bud: in Act 2, scene 1 Oberon
- explains that he can remove the spell ôwith another
- herbö (line 184). This was perhaps Artemisia, a
- plant sacred to Diana, goddess of chastity, whose
- Greek name was Artemis.
- CupidÆs flower: see Act 2, scene 1 lines 155ff.
- 76 enamoured of: in love with.
- 77 pass: happen.
- 80 strike . . . sense: charm the senses of these
- five people (the four lovers and Bottom) to a sleep
- that is deeper than normal sleep.
- 85 rock the ground: i.e. as though the ground
- were a cradle, and the lovers were sleeping infants.
- 86 amity: friendship.
- 87 solemnly: ceremoniously.
- 89 to: with.
- 94 sad: sober.
- 96 compass: encompass.
- 103 observation: ritual (to celebrate May
- Day).
- 104 since . . . day: since it is still early in the
- day (ôvawardö =earliest part).
- 106 uncouple: unleash; hounds are leashed
- together in pairs, and trained to keep silent when
- they are leashed.
- 107 Dispatch: see that it is done quickly.
- 108 will: will go.
- 109 From the top of the mountain they will
- hear the cry of hounds combined with the echoes.
- 111 Crete and Sparta were both famous, in
- classical times, for their breed of hounds. Cadmus
- was founder of Thebes, long before the birth of
- Hercules, the Greek super-man. No legend tells of
- the hunting party that Hippolyta refers to.
- 112 bayed: brought to bay (i.e. drove the bear
- into a position where it was forced to turn and face
- the hounds).
- 114 chiding: the noise of angry hounds.
- 118 kind: breed.
- 119 flewed: with deep, hanging lips and
- cheeks.
- sanded: with sand-coloured markings.
- 121 dew-lapped: with folds of skin (dew-laps)
- under their chins.
- Thessalian: from Thessaly, a northern part of
- ancient Greece.
- 123 cry: pack of hounds.
- 124 holla: the cry made by huntsmen in
- response to the hounds.
- cheered: encouraged.
- 126 soft: wait a minute.
- nymphs: creatures of the woods.
- 130 of: at.
- 131 observe: perform.
- 132 our intent: what we intended to do.
- 133 in grace: to honour.
- solemnity: celebration.
- 138 Saint Valentine: the patron saint of lovers;
- his feast day (February 14) was traditionally the
- birdsÆ wedding-day.
- 139 to couple: to form pairs.
- 141 rival enemies: enemies in rivalry (for
- HermiaÆs love).
- 143 jealousy: suspicion.
- 144 by hate: by the side of one who hates you.
- 145 amazedly: in confusion.
- 152 Without: out of reach of.
- 156 defeated: deprived.
- 159 stealth: secret escape.
- 160 purpose hither: intention to come here.
- 162 in fancy: in her love.
- 163 wot: know.
- 166 idle: useless.
- gaud: toy.
- 168 virtue: power.
- 171 ere: before.
- 172 like sickness: like a sick man.
- 173 come: returned.
- 177 anon: presently.
- 178 overbear: over-rule.
- 181 something worn: almost gone.
- 182 purposed: intended.
- 183 Three and three: three men and three
- women.
- 184 solemnity: splendour.
- 188 parted eye: double vision (where the eyes
- do not focus together).
- 198 cue: Bottom thinks he is still at the
- rehearsal.
- 199 next: i.e. next cue.
- 204 go about: try.
- expound: explain.
- 207 patched fool: professional jesters wore
- multi-coloured suits which might look as though
- they had been ôpatchedö .
- 208 The eye . . . dream was: BottomÆs
- phrasing is influenced by his confused memory of
- the first Epistle to the Corinthians, 2:9.
- 211 ballad: the sixteenth-century equivalent of
- a newspaper: ballads telling of strange events were
- sung to popular tunes.
- 213 no bottom: no foundation in reality.
- 214 per adventure: perhaps.
- 215 gracious: pleasing.
- her: i.e. ThisbeÆs.
-